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  • Previous Exhibitions
    • Brenda Moir
    • Denise Batchelor - Reflections
    • Tony Johnston - Rawene Threefold
    • Susan Dey
    • Heather Randerson
    • Nigel Brown
    • Lisa Thompson
    • Kristin Ivill
    • Prue MacDougall
    • Tony Johnston
    • Matariki 2023
    • Conversations of the Heart
    • Exhibition - 'being'
    • Breaching the Surface
    • Freedom to Fly
    • Rebecca Barclay-Clist
    • Denis Bourke - Survey
    • Matariki 2022 - Awakening
    • 'Water' Brenda Moir Online
    • 'The First Footprint' Graeme Butler
    • Te Hauhake - Harvesting
    • Sea Things - Robyn Gibson
    • Flat Pack - Whakapapa - Maureen Lander
    • Hokianga to Tatou Kainga >
      • Lindsay Antrobus Evans
      • Joanne Barrett
      • Liz McAuliffe
      • Tira
      • Michelle Morunga
      • Peter Elsbury
      • Riki Bowler
    • Te Ha - The Breath
    • Ka Mua, Ka Muri: Mike Cameron
    • Backwoods
    • Suggestions For Mud: Jude Blades
    • Kaleidoscopic: Marie Greeks
    • Maps and Journeys - Anthony Savill
    • Charles Dawes Photography
    • New Landscapes: Sean McDonnell
    • Janette Cervin
    • Hokianga 6
    • Lindsay Antrobus Evans
    • Julie Battisti
    • The Ground on Which We Stand
    • The Hidden Path - Chris Verryt
    • Swan Song
    • Land
    • Te Whakanui I Te Tau Kotahi O Te Toi Torangapu - Celebrating One Year of Political Art
    • Bruce Anderson

Flat Pack Whakapapa
Maureen Lander

18  to 26 April 2021
Dr Maureen Lander (TeHikutu, Ngapuhi) is a multi-media installation artist who has exhibited nationally and internationally since 1986.  From the early 1990’s until 2007 Maureen taught Maori Material Culture courses at Auckland University. Her contemporary artwork draws inspiration from woven fibre pieces in museum collections and early illustrations. 
Flat-Pack Whakapapa considers kinship, family and friendship networks as well as genetic heritage.. Approaching these forms of human connection from a mātauranga Māori (Māori knowledge) perspective, Lander engages with weaving techniques—including whiri (braiding) and whakairo (patterning)—and the concept of aho tuku iho (ancestral lines handed down continuously from generation to generation). Her approach symbolises how whakapapa grows with us, and how our genealogy is inherited by our descendants, who continue our heritage lines
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  • Home
  • Lindsay Antrobus Evans
  • Carolyn Lye
  • Art Online
  • Residency
  • About
    • Our Values, Our People
    • Our Story
  • Contact
  • Exhibit with us!
  • Previous Exhibitions
    • Brenda Moir
    • Denise Batchelor - Reflections
    • Tony Johnston - Rawene Threefold
    • Susan Dey
    • Heather Randerson
    • Nigel Brown
    • Lisa Thompson
    • Kristin Ivill
    • Prue MacDougall
    • Tony Johnston
    • Matariki 2023
    • Conversations of the Heart
    • Exhibition - 'being'
    • Breaching the Surface
    • Freedom to Fly
    • Rebecca Barclay-Clist
    • Denis Bourke - Survey
    • Matariki 2022 - Awakening
    • 'Water' Brenda Moir Online
    • 'The First Footprint' Graeme Butler
    • Te Hauhake - Harvesting
    • Sea Things - Robyn Gibson
    • Flat Pack - Whakapapa - Maureen Lander
    • Hokianga to Tatou Kainga >
      • Lindsay Antrobus Evans
      • Joanne Barrett
      • Liz McAuliffe
      • Tira
      • Michelle Morunga
      • Peter Elsbury
      • Riki Bowler
    • Te Ha - The Breath
    • Ka Mua, Ka Muri: Mike Cameron
    • Backwoods
    • Suggestions For Mud: Jude Blades
    • Kaleidoscopic: Marie Greeks
    • Maps and Journeys - Anthony Savill
    • Charles Dawes Photography
    • New Landscapes: Sean McDonnell
    • Janette Cervin
    • Hokianga 6
    • Lindsay Antrobus Evans
    • Julie Battisti
    • The Ground on Which We Stand
    • The Hidden Path - Chris Verryt
    • Swan Song
    • Land
    • Te Whakanui I Te Tau Kotahi O Te Toi Torangapu - Celebrating One Year of Political Art
    • Bruce Anderson