NO 1 PARNELL
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  • Carolyn Lye
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  • Previous Exhibitions
    • Brenda Moir
    • Denise Batchelor - Reflections
    • Tony Johnston - Rawene Threefold
    • Susan Dey
    • Heather Randerson
    • Nigel Brown
    • Lisa Thompson
    • Kristin Ivill
    • Prue MacDougall
    • Tony Johnston
    • Matariki 2023
    • Conversations of the Heart
    • Exhibition - 'being'
    • Breaching the Surface
    • Freedom to Fly
    • Rebecca Barclay-Clist
    • Denis Bourke - Survey
    • Matariki 2022 - Awakening
    • 'Water' Brenda Moir Online
    • 'The First Footprint' Graeme Butler
    • Te Hauhake - Harvesting
    • Sea Things - Robyn Gibson
    • Flat Pack - Whakapapa - Maureen Lander
    • Hokianga to Tatou Kainga >
      • Lindsay Antrobus Evans
      • Joanne Barrett
      • Liz McAuliffe
      • Tira
      • Michelle Morunga
      • Peter Elsbury
      • Riki Bowler
    • Te Ha - The Breath
    • Ka Mua, Ka Muri: Mike Cameron
    • Backwoods
    • Suggestions For Mud: Jude Blades
    • Kaleidoscopic: Marie Greeks
    • Maps and Journeys - Anthony Savill
    • Charles Dawes Photography
    • New Landscapes: Sean McDonnell
    • Janette Cervin
    • Hokianga 6
    • Lindsay Antrobus Evans
    • Julie Battisti
    • The Ground on Which We Stand
    • The Hidden Path - Chris Verryt
    • Swan Song
    • Land
    • Te Whakanui I Te Tau Kotahi O Te Toi Torangapu - Celebrating One Year of Political Art
    • Bruce Anderson

'LAND'                 7 Nov - 20 Dec

Picture
Nigel Brown 'True Consent'. From the a series of works titled 'Albatross Neck' built around Samuel Taylor Coleridge’s The Rime of the Ancient Mariner. Each painting is a tableau connecting with the poem through the use of its verse and themes. Each is also a unique assemblage that can stand alone as a visual unity. (Oil on linen $9500)
LAND is an exhibition which portrays perceptions of and relationships to the land. The depth of that relationship is determined by how the land is perceived; as a gift to be cherished and nurtured, a giver of sustenance and wisdom or a resource to be
exploited and exhausted.
Our hope for this exhibition is that it raises awareness of our place in the world, on this earth, and facilitates greater appreciation, humility even, for the privilege of our presence here.

Giving such regard to our place on the land encompasses the wisdom with which we live in the world.
​
In dwelling, be close to the land.
In meditation, go deep in the heart.
In dealing with others, be gentle and kind.
In speech, be true.
Tao Te Ching
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  • Home
  • Lindsay Antrobus Evans
  • Carolyn Lye
  • Art Online
  • Residency
  • About
    • Our Values, Our People
    • Our Story
  • Contact
  • Exhibit with us!
  • Previous Exhibitions
    • Brenda Moir
    • Denise Batchelor - Reflections
    • Tony Johnston - Rawene Threefold
    • Susan Dey
    • Heather Randerson
    • Nigel Brown
    • Lisa Thompson
    • Kristin Ivill
    • Prue MacDougall
    • Tony Johnston
    • Matariki 2023
    • Conversations of the Heart
    • Exhibition - 'being'
    • Breaching the Surface
    • Freedom to Fly
    • Rebecca Barclay-Clist
    • Denis Bourke - Survey
    • Matariki 2022 - Awakening
    • 'Water' Brenda Moir Online
    • 'The First Footprint' Graeme Butler
    • Te Hauhake - Harvesting
    • Sea Things - Robyn Gibson
    • Flat Pack - Whakapapa - Maureen Lander
    • Hokianga to Tatou Kainga >
      • Lindsay Antrobus Evans
      • Joanne Barrett
      • Liz McAuliffe
      • Tira
      • Michelle Morunga
      • Peter Elsbury
      • Riki Bowler
    • Te Ha - The Breath
    • Ka Mua, Ka Muri: Mike Cameron
    • Backwoods
    • Suggestions For Mud: Jude Blades
    • Kaleidoscopic: Marie Greeks
    • Maps and Journeys - Anthony Savill
    • Charles Dawes Photography
    • New Landscapes: Sean McDonnell
    • Janette Cervin
    • Hokianga 6
    • Lindsay Antrobus Evans
    • Julie Battisti
    • The Ground on Which We Stand
    • The Hidden Path - Chris Verryt
    • Swan Song
    • Land
    • Te Whakanui I Te Tau Kotahi O Te Toi Torangapu - Celebrating One Year of Political Art
    • Bruce Anderson